Niall Horan Released the video voltage of his friend more like a brother to him “Liam Payne” how he was killed before thrown out of the window which made it look like suicide…see more

I’m in London in my apartment, cooking – I’m making a Victoria sponge right now – and writing a lot: two songs yesterday.

I had to cancel my tour, so I might as well go on the hunt for a big song. I started writing a Hey There Delilah-type one about when this is all over, called, well, When This Is All Over, and I was also writing about the idea of meeting someone without actually meeting them, and getting to know them because of this crisis. It’s an odd one:

it’s actually a good way to get to know someone. Usually, say you went to a bar for a date, you’re probably drunk after five drinks and you forget everything you’ve learned about them. Now, you actually have time to ask questions.

There’s no romances as of yet, but I wouldn’t mind if they started to blossom. A lot of pop music, you wouldn’t sit down and delve properly into it. That’s probably quite an ignorant thing to say! But when it’s melody based and dance-y, you don’t always break stuff down and see what they’re talking about.

So a lot of the new pop albums I’ve properly delved into: “I wanted to make people dance but write really sad lyrics.” I was in a similar spot. I wanted a few uptempo songs and to have a laugh with it, but also disguising the sad lyrics in some fun stuff. And she’s done that so much. Don’t Start Now is the perfect example.